Filmmuziek nieuws

NEWS: The Orchard to Release 'Super Dark Times' Soundtrack Vinyl

Soundtrack News - Vr, 15/09/2017 - 02:00
The Orchard will release the soundtrack vinyl for the stylish thriller [m.49677]Super Dark Times[] directed by Kevin Phillips, on September 29. The soundtrack is currently available on digital platforms. The films opens theatrically the same day in New York and Los Angeles and expands to digital and VOD on October 3. The new album will feature 13 original songs composed by experimental composer [c.2023]Ben Frost[] ([m.32545]Sleeping Beauty[], [m.35975]The Deep[]), whose previous albums include the critically-acclaimed By The Throat (2009) and A U R O R A (2014). "When Kevin approached me to write music for his film it resonated immediately," said composer [c.2023]Ben Frost[]. "The thing that perhaps excited me the most is that...

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NEWS: Tadlow Music to Release Complete Score to 'Ben-Hur'

Soundtrack News - Wo, 13/09/2017 - 02:00
Tadlow Music is proud to announce the release of the classic film music event of the decade – a special collector's edition 2-CD set of one of the greatest film scores of all time – [m.2211]Ben-Hur[] composed by [c.186]Miklós Rózsa[]. The complete 157-minute score, including previously unreleased music, has been re-recorded in stunning and dynamic 24-Bit 96kHz digital sound, performed by the award-winning City of Prague Philharmonic, conducted by Nic Raine and produced by label founder James Fitzpatrick. "Hearing many full versions of the film cues and some that were never recorded before, generations new and old will be exposed to my father's epic masterpiece in its entirety for the first time," said Miklós' daughter Juliet Rózsa....

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NEWS: Laced Records to Release 'Absolver' Game Soundtrack

Soundtrack News - Di, 12/09/2017 - 02:00
Laced Records and [c.1371]Austin Wintory[], in partnership with SloClap and Devolver Digital, will release the [a.21590]Absolver (Original Soundtrack)[] worldwide on deluxe double vinyl, CD and digital formats from today. The game's 20-track original score by award-winning composer [c.1371]Austin Wintory[] ([m.33987]Journey[], [m.47229]Abzu[], [m.43895]Assassin's Creed Syndicate[]) includes a brand new exclusive track co-produced by [c.3475]RZA[] (Wu-Tang Clan, Afro Samurai). In the lead up to release developer Sloclap and Wintory enlisted the talents of legendary producer and Wu-Tang founder [c.3475]RZA[], to co-produce the final "Risyn Boss Theme" for the game. [c.3475]RZA[], a big fan of video games and Kung Foo, known for his...

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NEWS: Michael Stein, Kyle Dixon, Jeff Russo, Jeff Beal & Susan Jacobs Win Big at Emmy Awards

Soundtrack News - Ma, 11/09/2017 - 02:00
The Academy of Television Arts & Sciences announced the winners of the 2017 69th Emmy Awards. Some of the highlights are as follows: Original Main Title Theme Music: - [m.48533]Feud: Bette and Joan[] ([c.3207]Mac Quayle[]) - [m.47548]Genius[] ([c.237]Hans Zimmer[] & [c.1465]Lorne Balfe[]) - [m.48421]The Good Fight[] ([c.1620]David Buckley[]) - WINNER: [m.46868]Stranger Things[] ([c.19144]Michael Stein[] and [c.19143]Kyle Dixon[]) - [m.46296]Victoria[] ([c.1449]Martin Phipps[]) - [m.42756]Westworld[] ([c.1065]Ramin Djawadi[]) Outstanding Music Composition for a Series (Original Dramatic Score): - [m.44918]The Crown[], Hyde Park Corner ([c.540]Rupert Gregson-Williams[]) - WINNER: [m.33760]House of Cards[], Chapter 63 ([c.674]Jeff Beal[]) -...

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NEWS: FIMUCITÉ to Pay Homage to Composer Daniel Licht

Soundtrack News - Za, 09/09/2017 - 02:00
From September 22nd – 30th, 2017 the Tenerife International Film Music Festival (FIMUCITÉ) will be celebrating its 11th edition thanks to the support and sponsorship of the Cabildo de Tenerife, the Canary Islands Government, Santa Cruz de Tenerife City Council, and Arona City Council and will be presenting the honorary FIMUCITÉ – Antón García Abril Award, posthumously, to the film, television and videogame composer [c.113]Daniel Licht[], who recently passed away this August aged sixty. In his career, as well as being known as the composer of the soundtrack for the famous TV series [m.29637]Dexter[], he is also known for frequently scoring horror films. His professional life began in 1991 with the film [m.4370]Children of...

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NEWS: 'Tooth and Tail' Game Soundtrack Announced

Soundtrack News - Vr, 08/09/2017 - 02:00
T-65b Records and Varese Sarabande Records will jointly release the [a.21548]Tooth and Tale original video game soundtrack[] through all major digital music outlets worldwide on CD and vinyl on September 12th. The album features the game's original score by celebrated composer [c.1371]Austin Wintory[] ([m.33987]Journey[], [m.47229]Abzu[], [m.43895]Assassin's Creed Syndicate[]). This 23-track album features the original score which is an eclectic blend of regionally-inspired dance styles with sarcastic tinges of Russian folk music. Wintory described the score: "Normally I'm not interested in writing music that has a sort of deliberate eclecticism, because I tend to heavily favor cohesion and economy. But it was genuinely called for...

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NEWS: Weekly Roundup: September 1

Soundtrack News - Za, 02/09/2017 - 02:00
Announced this week were new composer assignments for [c.274]Harry Gregson-Williams[] ([m.46533]Meg[]), [c.564]Christophe Beck[] ([m.50392]The 12th Man[]) and [c.540]Rupert Gregson-Williams[] ([m.50393]The Alienist[]), among many others. For the full list of composer and music supervisor assignments from this week, [url./composers/]click here[]. Over 20 new soundtrack albums were released this week. [da.2017-08-29]Click here for the full schedule[]. Opening in theaters nationwide this weekend are (with music by): [m.4693]Close Encounters Of The Third Kind (Re-Release)[] ([c.231]John Williams[]) and [m.42098]Tulip Fever[] ([c.58]Danny Elfman[]). Among all new theatrical releases, we are tracking song credits for: - [m.42098]Tulip Fever[] (No songs) - [m.45350]A...

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NEWS: Varese Sarabande Announces 'American Assassin' Soundtrack

Soundtrack News - Vr, 01/09/2017 - 02:00
Varèse Sarabande will release the [a.21264]American Assassin – Original Motion Picture Soundtrack[] digitally and on CD on September 15, 2017. The album features the original music composed by [c.1974]Steven Price[] ([m.32671]Gravity[], [m.41974]Suicide Squad[]). "Everything about [director] Michael Cuesta's approach to the movie focused on character… the motivations and complex interrelationships between the story's principle players" said Price. "We talked a lot about how the music could support Michael's psychological approach to the storytelling." [m.48897]American Assassin[] follows the rise of Mitch Rapp (Dylan O'Brien), a CIA black ops recruit under the instruction of Cold War veteran Stan Hurley (Michael Keaton). The pair...

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NEWS: 'XCOM 2: War of the Chosen' Game Soundtrack Released

Soundtrack News - Do, 31/08/2017 - 02:00
2K released the [a.21324]XCOM 2: War of the Chosen - Original Game Soundtrack[] digitally on August 29, 2017. The album features original music by [c.2211]Tim Wynn[]. "Overall the music for [m.45532]XCOM 2: War of the Chosen[] has a much darker and grittier tone that of [m.45532]XCOM2[]," Wynn described. Although [m.45532]XCOM 2[] is about Earth's potential alien encounter with Earth, for this score I went old school and went more analog. It was my first score using the Matrix Brute. It's a wicked sounding analog beast. I guess you could best describe the [m.45532]XCOM 2: War of the Chosen[] sound as being orchestral analog." [m.45532]XCOM 2: War of the Chosen[] also allowed Wynn to revisit the themes he created for...

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NEWS: Lakeshore Records to Release 'BoJack Horseman' Soundtrack

Soundtrack News - Wo, 30/08/2017 - 02:00
Lakeshore Records will release [a.21496]BoJack Horseman (Music From the Netflix Original Series)[] digitally September 8th, on CD September 29th and vinyl coming this winter. The soundtrack features the iconic main title track by Patrick Carney, and the infectious closing theme by Grouplove. Michelle Branch, Oberhofer, Nina Simone and original songs and score by [c.7998]Jesse Novak[] are also featured. The album was produced and music supervised by [c.5077]Andy Gowan[]. Says Carney: "The themes of BoJack -- happiness and depression, the search for success and overcoming failures have also been themes I've been drawn to in my music. I am thrilled that my song featuring my Uncle Ralph's haunting saxophone gets to set the mood for...

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NEWS: Weekly Roundup: August 25

Soundtrack News - Za, 26/08/2017 - 02:00
Announced this week were new composer assignments for [c.14]Marco Beltrami[] ([m.45359]The Snowman[]), [c.1533]Nick Cave[] & [c.1534]Warren Ellis[] ([m.50343]Kings[]) and [c.1240]Rob Simonsen[] ([m.49801]The Upside[]), among many others. For the full list of composer and music supervisor assignments from this week, [url./composers/]click here[]. Over 25 new soundtrack albums were released this week. [da.2017-08-22]Click here for the full schedule[]. Opening in theaters nationwide this weekend are (with music by): [m.48867]All Saints[] ([c.22328]Conni Ellisor[] & [c.22329]John Mock[]), [m.47204]Birth of the Dragon[] ([c.5889]H. Scott Salinas[] & [c.5856]Reza Safinia[]) and [m.48106]Leap![] ([c.861]Klaus Badelt[]). Expanding nationwide from their limited releases...

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NEWS: Submission Deadlines for 2017 Oscars Announced

Soundtrack News - Vr, 25/08/2017 - 02:00
The Academy of Motion Picture Arts and Sciences today published its list of upcoming submission deadlines for 90th Academy Awards consideration. Submissions for the music categories are due by 5 p.m. PT on the following date: Original Score & Original Song: Friday, December 1 The submission process may be initiated online at [url.http://submissions.oscars.org]submissions.oscars.org[]. For the entire list of key dates and complete rules, please visit [url.http://oscars.org/rules]oscars.org/rules[]. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Centert in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories...

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MOVIE REVIEW: Guardians of the Galaxy Vol. 2 (4K UHD/Blu-ray)

Soundtrack News - Wo, 23/08/2017 - 02:33
In 2014, Marvel released [m.34687]Guardians of the Galaxy[], a delightfully entertaining sci-fi romp that ultimately ties into the larger "Avengers Cinematic Universe" they've been building since 2008's [m.23154]Iron Man[]. In that first [m.]Guardians[] film, we were introduced to Peter Quill, aka "Star-Lord" (Chris Pratt), a human who was abducted as a kid by Yondu (Michael Rooker) and grew up with his gang of Ravagers become a scavenger mercenary. By the end of that film, Quill's team had grown to include Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (voiced by Bradley Cooper) and Groot (voiced by Vin Diesel), and after saving the universe...

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NEWS: Varese Sarabande Announces 'Popeye' Deluxe Edition Soundtrack

Soundtrack News - Wo, 23/08/2017 - 02:00
Varèse Sarabande will release the most comprehensive version of the [m.20403]Popeye[] soundtrack ever assembled, featuring the film's beloved songs by [c.17562]Harry Nilsson[], performed by the cast (including Robin Williams, Shelly Duvall, and Ray Walston), never-before released original score composed by [c.18934]Thomas Pierson[], and an entire disc of demos performed by [c.17562]Harry Nilsson[]. The [a.21271]Popeye – Deluxe Edition Music From the Motion Picture[], which also includes newly-discovered images and extensive liner notes, will be released digitally and on CD on September 29, 2017. A rare co-production between Paramount Pictures and Walt Disney Productions – the 1980 film [m.20403]Popeye[] was a live-action musical...

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NEWS: Universal Music Enterprises to Release 'The Vietnam War' Soundtrack Albums

Soundtrack News - Zo, 20/08/2017 - 02:00
[m.48371]The Vietnam War[], a new 10-part series directed by Ken Burns and Lynn Novick that will begin airing on PBS on September 17, 2017, will be accompanied by two companion soundtracks to be released on September 15, 2017, Universal Music Enterprises announced today. [a.21429]The Vietnam War – Original Score[] will feature over 90 minutes of new, original music on 2CD and 3LP, written and recorded by Academy Award-winning composers [c.1745]Trent Reznor[] and [c.1283]Atticus Ross[]. In addition, [a.21426]The Vietnam War - The Soundtrack[] includes many of the iconic songs representing the era, including 38 tracks on 2CD chosen from the 120 tunes featured in the film. The soundtrack will include: The Beatles; Crosby, Stills, Nash...

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NEWS: Weekly Roundup: August 18

Soundtrack News - Za, 19/08/2017 - 02:00
Announced this week were new composer assignments for [c.1318]Daniel Pemberton[] ([m.50078]Molly's Game[]), [c.564]Christophe Beck[] ([m.49433]Gringo[]) and [c.1238]Bear McCreary[] ([m.50295]Break My Heart 1000 Times[]), among many others. For the full list of composer and music supervisor assignments from this week, [url./composers/]click here[]. Over 25 new soundtrack albums were released this week. [da.2017-08-15]Click here for the full schedule[]. Opening in theaters nationwide this weekend are (with music by): [m.46922]The Hitman's Bodyguard[] ([c.1278]Atli Orvarsson[]) and [m.48706]Logan Lucky[] ([c.5223]David Holmes[]). Expanding nationwide from its limited release earlier this month is [m.48423]Wind River[] ([c.1533]Nick Cave[] & [c.1534]Warren...

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NEWS: Universal Music Enterprises Announces 'This Is Us' Soundtrack

Soundtrack News - Wo, 16/08/2017 - 02:00
[a.21408]This Is Us (Music from the Series)[], a companion to the show America loves, is available September 15 via UMe. With instantly recognizable hits and classics, an original song and a compelling score, the soundtrack features 20 songs curated by [m.46809]This Is Us[] Creator/Executive Producer Dan Fogelman and his team, music supervisor [c.22728]Jennifer Pyken[] and composer/musician [c.15411]Siddhartha Khosla[]. Each musical element is carefully woven throughout the series, with the songs clearly defining a moment or serving as a gentle guide through the complex emotional journey. The soundtrack opens with "Death With Dignity" by Sufjan Stevens, instantly recognizable as a tone-setting music cue from the series' debut...

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NEWS: Weekly Roundup: August 11

Soundtrack News - Za, 12/08/2017 - 02:00
Announced this week were new composer assignments for [c.76]Elliot Goldenthal[] ([m.50252]Our Souls at Night[]), [c.257]Mychael Danna[] ([m.49396]The Man Who Invented Christmas[]) and [c.810]Nathan Barr[] ([m.46925]Flatliners[]), among many others. For the full list of composer and music supervisor assignments from this week, [url./composers/]click here[]. Over 30 new soundtrack albums were released this week. [da.2017-08-08]Click here for the full schedule[]. Opening in theaters nationwide this weekend are (with music by): [m.46180]Annabelle: Creation[] ([c.1354]Benjamin Wallfisch[]), [m.47045]The Glass Castle[] ([c.5223]Joel P. West[]) and [m.39985]The Nut Job 2: Nutty by Nature[] ([c.827]Heitor Pereira[]). Among all new theatrical releases, we are tracking song...

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Interview with David Wingo

Film Music Magazine News - Do, 10/08/2017 - 19:12

In an indie-centric career spent in the company of such outsiders as the surly, if valiant “Joe,” “Take Shelter’s” doom-obsessed visionary, “Mud’s” rogue on the run and least of all the sci-fi author wannabe of “Gentleman Broncos,” David Wingo has never quite kept eccentric musical company with a guy like James Pope. Kidnapped as a baby and raised in a desert shelter by two eccentrics (Mark Hamill and Jane Adams) focused on math and children’s shows, James’ constant company has been the hit program “Brigsby Bear.” It’s a bizarrely indecipherable, L. Ron Hubbard-esque sci-fi saga for the evolving younger set, its mythos pitting a warrior ursine and the seemingly twin Smile Sisters’ against a talking sun. Except, this serial in fact is only meant for an audience of one. Now freed into a real world he never made, and reunited with his true family, the unfailingly optimistic, frizzy-haired 25 year-old kid struggles to adapt. But nothing can truly be normal unless James completes the saga of “Brigsby Bear” himself, a quest that brings his caretakers down on him while enchanting the neighborhood teens and the internet universe at large in a fictional cosmic saga that puts “Star Trek” to shame.

The enthusiastic saying “Let’s put on a show” truly takes on new meaning for writer (along with Kevin Costello) and star Kyle Mooney and director Dave McCary’s beguiling film. Better known as part of the comedy troupe Good Neighbor, this sorta mix of “The Unbreakable Kimmy Schmidt” and “Pee Wee’s Playhouse” stands as one of the most imaginative and unexpectedly touching pictures this year. Working on any number of levels from the enthusiasm of DYI filmmaking to a “survivor” healing himself, “Brigsby Bear” is suffused with the gentle imagination of Wingo’s sublime, subdued work.

As opposed to musical snark over its bunker-spun puppet and prop imagery, let alone James’ dogged pursuit to construct his own “Bear,” Wingo’s score is often as ethereal as man in the sun starstuff. He thematically captures a yearning sense of imagination, yet with a poignant sense of childhood lost. Delicate piano and guitar over drifting strings become James’ striving to find a sense of purpose, all adding to an unexpected emotional resonance that will likely lead to unexpected tears. Yet “Brigsby Bear’s” score is also aware of the movie’s delightfully insane concept, with retro synths conjuring the perverse, puppet populated time-warped universe that James’ “parents” have created for him – the score culminating as Wingo brings a sense of the DYI epic to “Brigsby Bear – The Movie.” Awash with imagination and heart in its poetically melodic approach, Wingo’s score is a thing of delicate, intimate wonder for what just might be year’s most biggest movie surprise that will make you believe a bear can fly.


What was your impression of Kyle and David’s Good Neighbor comedy troupe before doing “Brigsby Bear?”

This was the first time I’ve ever been approached by people whom I was a huge fan of to begin with. I had no idea that that Kyle and Dave were ever going to make movies, and this ended up being so completely different than what I thought they’d do given what I’d seen from Good Neighbor. Their stuff was more absurd and strange than most anything you’d see on a show like “Saturday Night Live.” It’s really challenging and confrontational in its weirdness. “Brigsby Bear” had a far different sensibility than what I expected to see.

Brigsby director-writer Dave McCarey (L) and co-writer and star Kyle Mooney


What surprised you the most about “Brigsby Bear?”

I was surprised by how warm, genuine and sweet it was. “Brigsby Bear” was trying to connect in a way that the Good Neighbor stuff didn’t tread, and I loved that. That made it easier for me to do music, knowing that I could actually do something soulful, and that it would make sense with the material. Kyle and David kept this absurd concept well grounded, making something outlandish still feel like the real world. That made people’s reactions to James and the scenario feel believable.

Could you talk about working with Dave and how you found the right tone for the score?

Dave is great. He directed all of that Good Neighbor stuff, and he writes for SNL Scoring “Brigsby Bear” was a pretty fast and furious process. At five weeks, it was the quickest turnaround I’ve ever had on something. I started just before Thanksgiving and had to be done just before the Sundance Film Festival. Though that’s fairly common for independent films, it’s something I’d never dealt with before. But I wanted to do this movie really, really badly, and I said yes. Dave was working on SNL at the same time, so he was really run ragged. But despite that, he was always responsive and was very specific about what he wanted. I was really impressed, because I could imagine how busy he was already. Dave had the ears and the critical thinking to make it happen.

As a child, what were your favorite puppet-filled child’s shows?

Gigglesnort Hotel

Most people who grew up in Dallas watched “Gigglesnort Hotel.” It was filmed in Chicago, but I don’t think it aired in many other places. It was really insane – kind of dark and psychedelic, but not intentionally. The guy who hosted it was Christian, and didn’t intend for it to be as strange as it was! David Gordon Green and I watched it as kids and his dad got a DVD set of the entire series a few years ago. We watched it together and said, “My God, this is still so strange!” Yet I didn’t have that kind of kid’s show music in mind. My score was about playing James’ naiveté. So Michael Montes (“Ping Pong Summer”), a composer I’m a friend with, did all of the “Brigsby Bear” TV show music in the score, especially as we had such a quick turnaround. So I wanted to keep those “scores” separate. They’re coming from two different musical worlds, and I wanted to focus on James, and for the score to feel grounded in his life and emotions. Michael was about the “sci-fi” aspect of “Brigsby Bear.”

Michael Montes


Tell me about your “grounded” instrumental ensemble.

But we wanted the score to be cinematic that wasn’t in any way kitschy, but to still have some elements that reflected the “Brigsby Bear” music, since that’s the only music James has ever listened to. So with our small budget, I used sampled strings, while analogue synths reflect the “Brigsby Bear” music through James’ experience. Since David wanted to have something that reminded him of the scores you’d hear in Amblin’ Pictures that Steven Spielberg produced, we used a harp. There’s acoustic guitar as well, which pretty much covers it.

You’ve often scored eccentric, out-of-place characters. Before in movies like “Mud” and “Joe.” How do you think James Pope fits into their repertoire?

I don’t think that James has much in common with the rest of the films I’ve worked on because he has such naïve innocence. Most of the characters I’ve composed for are tortured or twisted in some way. James is neither of those things. He’s an open page.

Given that you’ve scored some raw comedy in the past, how was it to do something as unexpectedly gentle as “Brigsby Bear?”

I haven’t done most of those broad comedies except for David Gordon Green’s “The Sitter,” so that’s not a world I worked in very much. This was more along the lines of David’s “Prince Avalanche,” which is a very sweet, gentle movie where everyone is sympathetic. The humor is absurd, but nice as people trying to understand each other. “Brigsby Bear” shares that sense of sweetness.

Was it a challenge to play the peculiar magic of “Brigsby Bear” without musically laughing at it?

It was important to us all that “Brisby’s” deadpan humor didn’t need to be played up with the jokey music. I just needed to let the music connect the audience with James so they can laugh at the absurdity of his situation, but not at a this person you empathize with.

Brigsby and David

How did you want to thematically convey the gentle, always polite manchild view that James carries with him through the film?

The instruments that are very tinkly and innocent help that, and the way that I use the analogue synths are bubbly, and washy as well. I chose simplicity in the chord progressions, as the score relies more on sonics than compositional sophistication.

There’s a whole other, awful level to “Brigsby Bear” about the pain of separation and the madness of James’ “parents” that’s stunted his life. Did you want allude to that darkness?

The music does get fairly dark and serious when James drives out to find The Smile Sisters and returns to his old bunker. But the writing and performances don’t let you get bogged down in that darkness, mostly because James doesn’t get bogged down in it either. At the end of the day, he’s adjusting to real life, and he’s optimistic about it. You always feel that James is going to be ok. It’s shown that James’ abductors care for him, and are not abusers. So he still feels fondness for them. That’s very ballsy to write the characters like that, because a lot of people could think that’s taking too many liberties with what they’ve done to him. But I love it because the movie doesn’t demonize these kidnappers. It looks at them through James’ eyes.


Could you talk about scoring the “Brigsby Bear Movie” that James creates, and giving it a sort of epic scope?”

I had to work on that cue the hardest because it was the one that had to be right. We had a lot of iterations of it to be sure. It was a matter of riding that line between sentimentality and grandness – yet without feeling too triumphant.

“Brigsby Bear” has quite an unexpected, emotional wallop at the end.

A lot of people say that, which is why we did so many versions of the ending score. Dave and Kyle called the shots to get it to that level as much as it could, to let the piano and harp do something more. They were instrumental in being hands on to fine-tuning the score to where it was emotional, but not too much.

What do you think that “Brigsby Bear” has to saw about the power of art, and creativity to heal all wounds, even the ones that James might not realize that he has?

I think that’s what the movie’s sort of about at the end of the day. I’ve seen some reviews that are calling it a critique of fan culture, which I can see. But to me that’s not what “Brigsby Bear” is. To me, it’s far more about how much the world can open up, not only when you start creating, but by doing something that you don’t know how to do. It’s the complete rush of being a beginner and learning how to express yourself and create things. That makes the world open up to you.


Do you think “Brigsby Bear” has a big cult destiny ahead of it?

I think it certainly has that potential. I’d certainly say “yes” if I hadn’t worked on so many other things that I thought would become cult movies, but didn’t develop that way. But this seems like the kind of movie that could, and should. “Brigsby Bear” is certainly among my favorites of anything I’ve scored. I hope it has a life that continues well beyond its initial release. I think people will discover “Brigsby Bear.” So far people are connecting to it in a way that makes me really happy.

“Brigsby Bear” is now in theaters. Listen to David Wingo’s score on Lakeshore Records HERE

Visit David Wingo’s website HERE

Categorieën: Filmmuziek nieuws

NEWS: Varese Sarabande to Release 'What Happened to Monday' Soundtrack

Soundtrack News - Do, 10/08/2017 - 02:00
Varèse Sarabande will release the [a.21376]What Happened to Monday – Original Motion Picture Soundtrack[] digitally on August 18, 2017. The album features original music composed by [c.13966]Christian Wibe[] ([m.31886]Dead Snow[]). "[m.46383]What Happened to Monday[] is the story about seven siblings struggling to stay alive in an overpopulated world with little resources. At its core it´s a film about family, desperation, survival and betrayal," described Wibe. "While the story screamed for broad stroke emotions and the big classical orchestra, it´s also a story set in the future, and electronics was used to bring in the more futuristic colors," Wibe explained. "The score features a big 85-piece orchestra, 3 percussionists,...

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